Friday, April 19, 2024
The Ute Theater - Rifle, CO
132 E 4th St., Rifle, CO 81650
Reserved Seating $25/$35
Parker Millsap quickly made a name for himself with his captivating live performances, soulful sound, and character-driven narratives. He's had a string of successes including an appearance on CONAN, a performance with Elton John at the Apple Music Festival, an Austin City Limits taping & an Americana Music Association nomination for Album of the Year. He's shared the stage with folks like Jason Isbell, Shovels & Rope, Patty Griffin, Houndmouth, and many others. Learn more at www.ParkerMilsap.com.
Inspired by the unvarnished honesty of those vintage performances, Linaberry launched The Bones of J.R. Jones in 2012 and, operating as a fully independent artist over the course of the ensuing decade, released three critically acclaimed albums along with a trio of similarly well received EPs; landed his songs in a slew of films and television series including Suits, Daredevil, Longmire, and Graceland; and toured the US and Europe countless times over as a one-man-band, playing guitar or banjo while simultaneously stomping a modified drum kit everywhere from Telluride Blues to Savannah Stopover. Learn more at www.thebonesofjrjones.com.
Monday May 6, 2024
The Rialto Theater - Loveland, CO
228 E 4th St., Loveland, CO
Reserved Seating $49 $59
Wednesday May 8, 2024
The Avalon Theater - Grand Junction, CO
645 Main St, Grand Junction, CO
Reserved Seating $29 $39 $59
As a teen fiddler, Bush was a three-time national champion in the junior division of the National Oldtime Fiddler's Contest. He recorded an instrumental album, Poor Richard's Almanac as a high school senior and in the spring of 1970 attended the Fiddlers Convention in Union Grove, NC. There he heard the New Deal String Band, taking notice of their rock-inspired brand of progressive bluegrass.
Acuff offered him a spot in his band. Bush politely turned down the country titan. It was not the music he wanted to play. He admired the grace of Flatt & Scruggs, loved Bill Monroe - even saw him perform at the Ryman - but he'd discovered electrified alternatives to tradition in the Osborne Brothers and manifest destiny in The Dillards.
See the photo of a fresh-faced Sam Bush in his shiny blue high school graduation gown, circa 1970. Tufts of blonde hair breaking free of the borders of his squared cap, Bush is smiling, flanked by his proud parents. The next day he was gone, bound for Los Angeles. He got as far as his nerve would take him - Las Vegas - then doubled back to Bowling Green.
"I started working at the Holiday Inn as a busboy," Bush recalls. "Ebo Walker and Lonnie Peerce came in one night asking if I wanted to come to Louisville and play five nights a week with the Bluegrass Alliance. That was a big, ol' 'Hell yes, let's go.'"
Bush played guitar in the group, then began playing mandolin after recruiting guitarist Tony Rice to the fold. Following a fallout with Peerce in 1971, Bush and his Alliance mates - Walker, Courtney Johnson, and Curtis Burch - formed the New Grass Revival, issuing the band's debut, New Grass Revival. Walker left soon after, replaced temporarily by Butch Robins, with the quartet solidifying around the arrival of bassist John Cowan.
"There were already people that had deviated from Bill Monroe's style of bluegrass," Bush explains. "If anything, we were reviving a newgrass style that had already been started. Our kind of music tended to come from the idea of long jams and rock & roll songs."
Shunned by some traditionalists, New Grass Revival played bluegrass fests slotted in late-night sets for the "long-hairs and hippies." Quickly becoming a favorite of rock audiences, they garnered the attention of Leon Russell, one of the era's most popular artists. Russell hired New Grass as his supporting act on a massive tour in 1973 that put the band nightly in front of tens of thousands.
At tour's end, it was back to headlining six nights a week at an Indiana pizza joint. But, they were resilient, grinding it out on the road. And in 1975 the Revival first played Telluride, Colorado, forming a connection with the region and its fans that has prospered for 45 years.
Bush was the newgrass commando, incorporating a variety of genres into the repertoire. He discovered a sibling similarity with the reggae rhythms of Marley and The Wailers, and, accordingly, developed an ear-turning original style of mandolin playing. The group issued five albums in their first seven years, and in 1979 became Russell's backing band. By 1981, Johnson and Burch left the group, replaced by banjoist Bela Fleck and guitarist Pat Flynn.
A three-record contract with Capitol Records and a conscious turn to the country market took the Revival to new commercial heights. Bush survived a life-threatening bout with cancer, and returned to the group that'd become more popular than ever. They released chart-climbing singles, made videos, earned Grammy nominations, and, at their zenith, called it quits.
"We were on the verge of getting bigger," recalls Bush. "Or maybe we'd gone as far as we could. I'd spent 18 years in a four-piece partnership. I needed a break. But, I appreciated the 18 years we had."
Bush worked the next five years with Emmylou Harris' Nash Ramblers, then a stint with Lyle Lovett. He took home three-straight IBMA Mandolin Player of the Year awards, 1990-92, (and a fourth in 2007). In 1995 he reunited with Fleck, now a burgeoning superstar, and toured with the Flecktones, reigniting his penchant for improvisation. Then, finally, after a quarter-century of making music with New Grass Revival and collaborating with other bands, Sam Bush went solo.
He's released seven albums and a live DVD over the past two decades. In 2009, the
Americana Music Association awarded Bush the Lifetime Achievement Award for Instrumentalist. Punch Brothers, Steep Canyon Rangers, and Greensky Bluegrass are just a few present-day bluegrass vanguards among so many musicians he's influenced. His performances are annual highlights of the festival circuit, with Bush's joyous perennial appearances at the town's famed bluegrass fest earning him the title, "King of Telluride."
"With this band I have now I am free to try anything. Looking back at the last 50 years of playing newgrass, with the elements of jazz improvisation and rock & roll, jamming, playing with New Grass Revival, Leon, and Emmylou; it's a culmination of all of that," says Bush. "I can unapologetically stand onstage and feel I'm representing those songs well." Learn more at www.SamBush.com.
Tuesday June 4, 2024
Rialto Theater - Loveland
228 E 4th St., Loveland, CO
Reserved $39 $49
Ottmar Liebert's global success can be attributed to a myriad of things - his creative vision, his determination, and a strong sense of melody. Born in Cologne, Germany, he began playing guitar at 11. Before the age of 19, Liebert had intended to stay in Germany and pursue a career as a designer and photographer. However, while journeying extensively through Asia and playing with other travelers and local musicians, he realized that he could not escape a life of music. After pursuing his dreams of playing rock music in Boston, he settled in Santa Fe, New Mexico. Santa Fe was a fresh start for Liebert in many ways and in addition to returning to the acoustic guitar, he remained open to letting the place define the music he made. It was this openness to the local landscape that defined what was to become his musical style, a mix of Spanish, Mexican and World elements, strong melodies tinged with a shade of melancholy, balanced with upbeat rhythms.
Liebert founded the first incarnation of his band, Luna Negra, in 1989. His debut album began as a self-produced release called Marita: Shadows and Storms, copies of which local Native American artist, Frank Howell, distributed in his art galleries. After the record made its way to radio stations, it began generating a buzz among programmers and received unprecedented response among listeners. Higher Octave Music picked it up and released a fully remastered version, Nouveau Flamenco. Recorded for less than $3,000 on an old analog machine in a shack beside a gravel pit, this CD became an international sensation, establishing Liebert's unique border-style flamenco, and becoming the best-selling instrumental acoustic guitar album of all time: 2 x Platinum - USA; 14 x Platinum - USA/Latin; Platinum - Australia; Platinum - New Zealand; Gold - Canada; Gold - Mexico
Visual art has always been essential to Ottmar Liebert's world-view and even today he is an avid photographer. "My music is visual," Liebert says. "Santa Fe has great light, that special thing you get in the high desert. Some days you can see for 100 miles, and think you can reach into the sky or walk off a ridge and keep flying. That's how I felt when I recorded Nouveau Flamenco."
Liebert has since become one of the most successful instrumental artists of the past decades, entertaining audiences around the world and releasing a catalog of 33 classic albums including live recordings, an orchestral album for Sony Classical, a binaural surround sound recording, remix albums, a lullaby and a flamenco-reggae album. During his career, he has played more than two thousand concerts worldwide. Ottmar Liebert and Luna Negra have played two concerts with the New Mexico Philharmonic featuring Liebert's music arranged by bassist, Jon Gagan. These two concerts, to date, have broken attendance records for the New Mexico Philharmonic. Ottmar Liebert has been nominated for five Grammy awards. Learn more at https://ottmarliebert.com.
June 6, 2024
Rialto Theater - Loveland
228 E 4th St., Loveland, CO
Reserved $39 $49
Garrison Keillor Tonight is an evening of stand-up, storytelling, audience song, and poetry. One man, one microphone. There are sung sonnets, limericks and musical jokes, and the thread that runs through it is the beauty of growing old. Despite the inconvenience, old age brings the contentment of LESS IS MORE.
Your mistakes and big ambitions are behind you, nothing left to prove, and small things give you great pleasure because that's what's left. ("I was unhappy in college because it was a requirement for an intellectual, but then I went into show business and discovered that people won't pay to be made unhappy, their kids will do it for free.") There is the News from Lake Wobegon, a town booming with new entrepreneurs, makers of artisanal firewood and gourmet meatloaf, breeders of composting worms, and dogs trained to do childcare. But some things endure, such as the formation of the Living Flag on Main Street, citizens in tight formation wearing red, white or blue caps, and Mr. Keillor among them, standing close to old neighbors, Myrtle Krebsbach ("Truckstop") and Julie Christensen ("Bruno, The Fishing Dog") and Clint Bunsen. And an a cappella sing-along with the audience singing from memory an odd medley of patriotic songs, pop standards, hymns, and ending with the national anthem.
Saturday June 15, 2024
James M Robb - Colorado River State Park - Fruita
595 Highway 340 Fruita CO 81521
General Admission $10
One of the most impressive guitarists to emerge from the rich Bayous of Southern Louisiana in recent years, Tab Benoit's guitar tone can be recognized before his Otis-Redding-ish voice resonates from the speakers. He doesn't rely on any effects and his set up is simple. It consists of a guitar, cord, and Category 5 Amplifier. The effects that you hear come from his fingers.
Born on November 17, 1967, in Baton Rouge, Louisiana, Benoit grew up in the nearby oil and fishing town of Houma, where he still resides today. Musically, he was exposed early on to traditional Cajun waltzes and the country music broadcast on his hometown's only radio station. Benoit's father was himself a musician; as such, the family home was filled with various instruments. He began playing drums but switched to guitar because the only gigs to be had in rural Louisiana were held in churches and at church fairs, and organizers would not allow loud drums to be played at these events. Learn more at https://www.tabbenoit.com.
with special guests The Doubious Brothers
Saturday September 7, 2024
James M Robb - Colorado River State Park - Fruita
595 Highway 340 Fruita CO 81521
General Admission $10
Firefall was a rock band that formed in Boulder, Colorado in 1975. It was founded by Rick Roberts, who had been in the Flying Burrito Brothers, and Jock Bartley, who had been Tommy Bolin's replacement in Zephyr. The band's biggest hit single, "You Are the Woman", peaked at #9 on the Billboard charts. Other hits include "Just Remember I Love You" (#11 in 1977), "Strange Way" (#11 in 1978), and "Staying with It" from 1981, with female vocalist Lisa Nemzo.
Firefall was a mainstay, album-oriented rock band that put out a large number of hits such as "You Are the Woman" and "Just Remember I Love You" in the late 1970's. The album track from 1976's Firefall, "Cinderella", is a narrative about a man dealing with the torn feelings regarding his girlfriend's unexpected pregnancy and the negative consequences on the relationship and is one of the most controversial tracks released in the rock era.
The original line-up included former Spirit bassist Mark Andes, who later joined Heart, and former Byrds drummer Mike Clarke.
The band's releases were on Atlantic Records during their career. "You are the Woman" was featured as a notable track on the record label's twin compact-disc 30-year history retrospective that was released in 1988. Learn more at https://firefallofficial.com.
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